000			02214nam a22003017a 4500
001			16813
003			OCLRC
005			20260731013045.0
008			260317t xxu||||| |||| 00| 0 eng d
040			_aOCLRC
082			_aT 302.2 2024 0047
100			_aRamiscal, Alekzandra Anne T.
245			_aDifferent viewpoints of digital artists: _ba documentary analysis/ _cAlekzandra Anne T. Ramiscal, Jon Michael G. Antolin, & Bea Bianca E. Bernardo.
260			_aParañaque City: _bOlivarez College, _c2024.
502			_aUndergraduate thesis.
520			_aThis study examines the challenges and potentials of employing digital art as a medium for activism and social change. Through discussions with participants engaged in digital advocacy, a range of obstacles were identified, including the need to bridge generational gaps and navigate criticism from various sources. Concerns about potential consequences, such as online backlash and government scrutiny highlighted the complex nature of digital art activism. Nevertheless, participants emphasized the strategic importance of dissemination strategies such as soliciting feedback and leveraging social media platforms, to amplify the impact of their creative endeavors. Furthermore, participants underscored the influential role of visual media in shaping societal perceptions and fostering empathy towards pressing contemporary issues. Their dedication to advocating for a fairer society. Overall, the insights gleaned from participants underscore the vital role of digital art activism in driving social change, despite inherent uncertainties. Through their shared empathy and commitment to action, participants demonstrated the potential of digital art to initiate dialogue, cultivate empathy, and foster tangible progress within our continually shifting socio-political landscape.
650			_aDigital art.
650			_aSocial change.
650			_aVisual media.
650			_aSocietal perceptions.
650			_aContemporary issues.
650			_aDialogue.
650			_aEmpathy.
650			_aSocial media platforms.
700			_aAntolin, John Michael G.
700			_aBernardo, Bea Bianca E.
942			_cTHES _jT 302.2 2024 0047
999			_c16813 _d16813